The Color Black: Antinomies of a Color in Architecture and Art the british isles Following the vast critical acclaim

Following the vast critical acclaim of Stephen Shore’s experimental memoir Modern Instances: The Craft of Photography

‘Base matter’ represents here the various surfaces she works upon and ‘uncommon solvent’ the mediums she has used to make a mark

and the shifting terrain of power struggles from both a local and international perspective

captures the paradoxical nature of the family: frowsty spaces are both cosy and claustrophobic

The Color Black: Antinomies of a Color in Architecture and Art the british isles Following the vast critical acclaimThis publication traces a theoretical and visual narrative of the relationship of art and architecture with the colour black through two engaging essays by acclaimed architect and critic Mohsen Mostafavi and the Marxist German art historian Max Raphael (18891952). Bringing together a rich inventory of images, Mostafavi considers architectures connection with the colour by considering parallel developments in global art practices with references