Perpetual Law Megan Lykins Reich Maybe this is possession

Maybe this is possession

But she and her brothers were turned away and told they had to attend the Mexican school instead

Clarissa and Lexie couldn't be more different

Romance or The End takes up the tools of romantic narrative in order to perform the rupture between self and story that occurs at the onset of trauma

Perpetual Law Megan Lykins Reich Maybe this is possessionFrom Latin America's literary prankster Mario Bellatin: a novella that puzzles from the first page with its liminal, Lynchian atmosphere. In an unnamed country by the sea, a grieving kleptomaniac known only as Our Woman is determined to reach the House. There, she will be able to listen to her childhood voice. As she winds her way through a day replete with odd choices and unresolved conclusions, the losses that define Our Woman take clearer shape,