The Urbanites Richard Mosse Let’s suppose the modern era

Let’s suppose the modern era begins in October of 1922

Paul Mpagi Sepuya

and creates ambiguity where photography is conclusive – through a loss of concrete setting

The bodies of her subjects bear all-too physical traces of conflict and aggressive foreign policy: two Cambodian teenagers who have lost their legs to landmines while gathering wood near their homes

The Urbanites Richard Mosse Let’s suppose the modern eraPenelope Curtis and Grgoire Pujade Lauraine take us on tactile journeys through the symbols and textures of the contemporary city illuminated by their unique critical and artistic perspectives. Curtis examines the wall as a locus of innovation in architecture and sculpture over the post war years, encompassing a range of dazzling work by Anni Albers, Marcel Breuer, Donald Judd, Mary Martin, and Henry Moore, among many others. Pujade Lauraine offers a