For a film that rests comfortably between a cold-blooded thriller, warm-blooded father-daughter drama, and the occasional wacky Nicolas Cage power hour, Cage fits each of those modes in a way that unifies the film into a cohesive whole
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(I should write another blog about children in art, and about how other artists treat the theme of childhood.) Mann has published other books, including What Remains , 2003, Deep South , 2005 (photographed in Mississippi and Louisiana), At Twelve , 1988, Still Time, 1994, and Proud Flesh, 2009
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