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Stanley Kubrick, whose filmography is comprised almost solely of adaptations, wrote an essay on the subject in which he said, "The perfect novel from which to make a movie is, I think, not the novel of action but, on the contrary, the novel which is mainly concerned with the inner life of its characters." To Kubrick's mind, the job of the adaptor was to come up with action that could serve as the "objective correlative of the book's psychological content [and] accurately dramatize this in an implicit, off-the-nose way without resorting to having the actors deliver literal statements of meaning." In Fear and Loathing, much of the action is centered around the drug-induced states achieved by Dr

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MWDo you end up reflecting these contradictions, or do you end up trying to overcome them, in your work

(3:12) So, the health consequences were on the mind of those who smoked