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Autrefois Aujourdhui (1930, 8m, 35mm) Un peu de rve sur le faubourg (1930, 9m, 35mm) Ceux qui ne sen font pas (1930, 5m, 35mm) Celles qui sen font (1930, 5m, 35mm) In 1930 (the year the French film industry shifted to sound cinema), Dulac directed a series of illustrated records, intended to accompany classical and popular music recordings, all shot on location and taking the French working class as their shared subject, an early form of music video that focused on daily life and social concerns of the period